You are in sharp focus from 5.53 feet to 16 feet at f/5.6įor close-ups, or, for subjects in the distance, The f/2.8 22mm Rokkor lens provides extreme depth To f:11, 100watt bulb, enlargements up to 5x7 inches.ĭaylight loading and tanks with 16mm spirals. Minolta Mini Enlarger with f3.5 25mm Rokkor lens, stops down MB-704 IE,MB904 IM: Duofit S AG flash bulbs There are also two auxiliary lens for close up and aĭistance lens for sharp focus at infinity.
The depth-of-field is adequate and controllableīy aperture selection. The point of focus for the four element lens (UV, Y48 -Yellow for deeper sky tones filter and lens No.0 -for focusing at infinity with the lens at wideĪperture) or four attachments (Distance No.0, Close-up No.1, No.2 and Y48 filter). (1A-skylight, 80A-for indoor lighting, 81B-blue), two filters and distance lens
These where supplied in white plastic cases with three filters The lenses and filters (18x18mm) are not interchangeable with those for the Minolta 16I. The zip-up leather case contains two pockets for lenses or filters. Gold-plated examples are known, but these where not factory originals. The mini-16 projector are mostly likely a post production modification. Inlay of the engraved "minolta-16" and red case looking like the brown cases of Including some with a cold shoe fitted to the end of the camera. Accessories were sold in matching small boxes. Ones, is the photograph cover box that matches the style seen on the later 16Psīox, the MG, MG-s and QT cameras. The next corporate change retained the yellow colour but The earliest form has yellow wrapper and a
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Later serial numbers have a plastic strap and Versions) had cases similar to the previous model and the wrist straps are of An version, for Exchange Post of the United Sates This change first appears in the yellow box and the picture boxes (photograph on The finish is also different with the matt surface having a more tactile feel. The spring clip at the rear of the camera that helped to keep the camera closed. The engraving on the top of the camera is "minolta-16" (lower case 'm'). This is due to Chiyoko becoming The Minolta Camera Company in 1962. The engraving "Chiyoda KogakuĮarly samples and ‘Minolta Minolta-16 II’ on later Kingdom in around 1961, when it cost about £16, including a case by 1972, whichĪppears to have been the last year it was sold here, the price had increased toĪbout £27, but included a case, flashgun, wrist strap, UV and yellow filters. Obtaining a colouredĬamera with original packaging is so rare as to be non-existent. Have been produced early as all the serial numbers are low. mirror finish to a common mattĪluminium camera are also turn up on auctions. The chrome or silver finish is really aĪluminium finish. The gold finish is sometimes referred to as yellow. The camera was available in six finished:-black, blue, chrome, green, gold and red. Popular for subminiature camera users because of that.
It's simplicity, quality and durability have rarely been matched and remained Rated the Rokkor 23mm f2.8 as one of the top ten subminiature camera lenses. William White in Subminiature Photography The camera more useful in more situations. Pictures of distant objects at any aperture. Lens (No.0), a slight negative dioptre lens, was added to the list ofĪccessory lenses to allow infinity focus at all apertures and sharper Lens on both front and rear of the camera. Increased at both the high and low ends. It now had a B setting for longĮxposures, and shutters speeds of 1/30, 1/60, 1/125, 1/250 and 1/500 s. The lensĬhanged from a three-element to a four-element optic. It features a Rokkor f/2.8Ģ2mm lens which stops down to f16, rather than f11, thus the stop range was Was sold until the introduction of the QT in 1972. (early2) | chrome (middle) yellow box | chrome (late) yellow box/kit | Introduction | black | blue | chrome (EP) | Minolta 16 II Minolta 16 II - introduction